There is a Chinese / Mandarin word "家乡(jia3 xiang3)" that means "native town or hometown". It is an important bit of information necessary when filling out official forms in mainland China. While hometowns are usually a place of birth or residence, many Chinese have never once visited their hometown.
Hometown then is really a state of mind or allegiance tied to a geographical location. I myself consider central Pennsylvania my "hometown" although I was born and raised in New Jersey. Hometown for me is the place that feels most familiar, most connected and comfortable, a place for roots.
Follow the PA Quilt (and Rug) Trails and see how easy it is to connect with central Pennsylvania and call it your own "hometown" One morning, this winter, central Pennsylvania will be awaken by a blanket of snow producing a beautiful and comforting silence . Even the birds are still on such mornings. The smell from local, oak wood burning in a wood stove, making its way to your nose, as you lay snuggled and warm beneath quilts and blankets. Don an over-sized, flannel robe, pair of fuzzy slippers and head to the kitchen for hot, strong coffee, the first sip warming you from within ...Can there be anything more familiar? more comforting? more basic?
The PA Quilt (and Rug) Trails will guide you to experience the hometown feeling of central Pennsylvania. Each season brings its own comfort, joyful experience and connection, that will prompt you to claim central Pennsylvania as your own "hometown".
Sunday, November 13, 2011
Monday, November 7, 2011
Occupy
Unless you have been sequested without television, newspaper, radio or internet, you've no doubt heard of the Occupy Movement. Started some months ago near Wall Street, NYC, , small bands of disenfranchized gathered together in protest of what they perceive to be a broken system of power that government, banking, greedy corporations, etc. have over main stream society. The problem with this movement, many people believe, is that there is no common consesus of what exactly is being protested.
The quilt trail movement is not unlike the Occupy movement. Started originaly in Ohio by Donna Sue Groves in honor of a family member, it has spread throughout the nation (and Canada). And just like the Occupy movement, each trail, as well as each quilt piece, has a unique message and meaning.
In California the Lake County Quilt Trail celebrate American folk art within their rural agricultural communities. Burnsville North Carolina installed a vertical, sun-dial, quilt piece on their trail. The PA Quilt (and Rug) Trails honors loved ones, noted historic craftspeople, State Forest, small towns and family buisnesses.
Likewise the folks that follow a quilt trail brings their own unique expectations and experiences. Romance, quality family memories, reflection alone or with others, it's all part of the journey of following a quilt trail.
Answering the question, "What is a quilt trail?" is much like answering "What is the meaning of Occupy?" Both are many different things to different people. Come "occupy" the PA Quilt (and Rug) Trails and make your own determination.
The quilt trail movement is not unlike the Occupy movement. Started originaly in Ohio by Donna Sue Groves in honor of a family member, it has spread throughout the nation (and Canada). And just like the Occupy movement, each trail, as well as each quilt piece, has a unique message and meaning.
In California the Lake County Quilt Trail celebrate American folk art within their rural agricultural communities. Burnsville North Carolina installed a vertical, sun-dial, quilt piece on their trail. The PA Quilt (and Rug) Trails honors loved ones, noted historic craftspeople, State Forest, small towns and family buisnesses.
Likewise the folks that follow a quilt trail brings their own unique expectations and experiences. Romance, quality family memories, reflection alone or with others, it's all part of the journey of following a quilt trail.
Answering the question, "What is a quilt trail?" is much like answering "What is the meaning of Occupy?" Both are many different things to different people. Come "occupy" the PA Quilt (and Rug) Trails and make your own determination.
Monday, October 31, 2011
The Raven
It has been rumored for many, many years that around 1845 Edgar Allan Poe wrote his poem , "The Raven" while visiting the Eutaw House, Potters Mills, in central Pennsylvania. Though this rumor is highly disputed, in honor of scary stories, fairy tales and myths:
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door. "
'Tis some visitor," I muttered, "tapping at my chamber door;
Only this, and nothing more."
Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; vainly I had sought to borrow
From my books surcease of sorrow, sorrow for the lost Lenore,.
For the rare and radiant maiden whom the angels name Lenore
Nameless here forevermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me---filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating, "
'Tis some visitor entreating entrance at my chamber door,
Some late visitor entreating entrance at my chamber door.
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or madam, truly your forgiveness I implore;
But the fact is, I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you." Here I opened wide the door;---
Darkness there, and nothing more.
Deep into the darkness peering, long I stood there, wondering, fearing
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word,
Lenore?.This I whispered, and an echo murmured back the word,
"Lenore!" Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, something louder than before,
"Surely," said I, "surely, that is something at my window lattice.
Let me see, then, what thereat is, and this mystery explore.
Let my heart be still a moment, and this mystery explore.
" 'Tis the wind, and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven, of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door.
Perched upon a bust of Pallas, just above my chamber door,
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven thou," I said, "art sure no craven,
Ghastly, grim, and ancient raven, wandering from the nightly shore.
Tell me what the lordly name is on the Night's Plutonian shore.
" Quoth the raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning, little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door,
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered;
Till I scarcely more than muttered, "Other friends have flown before;
On the morrow he will leave me, as my hopes have flown before.
" Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful disaster
Followed fast and followed faster, till his songs one burden bore,---
Till the dirges of his hope that melancholy burden bore
Of "Never---nevermore."
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore Meant in croaking "Nevermore."
Thus I sat engaged in guessing, but no syllable expressing
To the fowl, whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath
Sent thee respite---respite and nepenthe from thy memories of Lenore!
Quaff, O quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the raven, "Nevermore!"
"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by horror haunted--tell me truly, I implore:
Is there--is there balm in Gilead?--tell me--tell me I implore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil--prophet still, if bird or devil!
By that heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden, if, within the distant Aidenn,
It shall clasp a sainted maiden, whom the angels name Lenore---
Clasp a rare and radiant maiden, whom the angels name Lenore?
Quoth the raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the raven, "Nevermore."
And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming.
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted---nevermore!
The Raven
By Edgar Allan Poe
first published 1845
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door. "
'Tis some visitor," I muttered, "tapping at my chamber door;
Only this, and nothing more."
Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; vainly I had sought to borrow
From my books surcease of sorrow, sorrow for the lost Lenore,.
For the rare and radiant maiden whom the angels name Lenore
Nameless here forevermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me---filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating, "
'Tis some visitor entreating entrance at my chamber door,
Some late visitor entreating entrance at my chamber door.
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or madam, truly your forgiveness I implore;
But the fact is, I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you." Here I opened wide the door;---
Darkness there, and nothing more.
Deep into the darkness peering, long I stood there, wondering, fearing
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word,
Lenore?.This I whispered, and an echo murmured back the word,
"Lenore!" Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, something louder than before,
"Surely," said I, "surely, that is something at my window lattice.
Let me see, then, what thereat is, and this mystery explore.
Let my heart be still a moment, and this mystery explore.
" 'Tis the wind, and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven, of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door.
Perched upon a bust of Pallas, just above my chamber door,
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven thou," I said, "art sure no craven,
Ghastly, grim, and ancient raven, wandering from the nightly shore.
Tell me what the lordly name is on the Night's Plutonian shore.
" Quoth the raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning, little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door,
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered;
Till I scarcely more than muttered, "Other friends have flown before;
On the morrow he will leave me, as my hopes have flown before.
" Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful disaster
Followed fast and followed faster, till his songs one burden bore,---
Till the dirges of his hope that melancholy burden bore
Of "Never---nevermore."
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore Meant in croaking "Nevermore."
Thus I sat engaged in guessing, but no syllable expressing
To the fowl, whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath
Sent thee respite---respite and nepenthe from thy memories of Lenore!
Quaff, O quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the raven, "Nevermore!"
"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by horror haunted--tell me truly, I implore:
Is there--is there balm in Gilead?--tell me--tell me I implore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil--prophet still, if bird or devil!
By that heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden, if, within the distant Aidenn,
It shall clasp a sainted maiden, whom the angels name Lenore---
Clasp a rare and radiant maiden, whom the angels name Lenore?
Quoth the raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the raven, "Nevermore."
And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming.
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted---nevermore!
Monday, October 24, 2011
Technology and the PA Quilt (and Rug) Trails
Most people, I suppose, keep some sort of reading materials in the loo. In my household a rotation of sales catalogs from Urban Outfitters, Free People and Pottery Barn, Martha Steward's Living and Sierra are the meat of commode reading.
This morning, mid way through Sierra I noticed a small announcement from The Pennsylvania State University Cooperative Extension-Lehigh. They have designed and made available publicly an ap (for iPhone and iPad-sorry other smart phone users). Functioning much like other "finder" aps, you can find farm fresh foods by entering location and mileage range.
What fun the PA Quilt (and Rug) Trails can be with such an ap. As you travel from piece to piece your travels can be intersected with apple picking, fresh churned ice cream, farmers markets, Christmas tree farms and farm stands.
This morning, mid way through Sierra I noticed a small announcement from The Pennsylvania State University Cooperative Extension-Lehigh. They have designed and made available publicly an ap (for iPhone and iPad-sorry other smart phone users). Functioning much like other "finder" aps, you can find farm fresh foods by entering location and mileage range.
photo by Sharon Lee
What fun the PA Quilt (and Rug) Trails can be with such an ap. As you travel from piece to piece your travels can be intersected with apple picking, fresh churned ice cream, farmers markets, Christmas tree farms and farm stands.
Wednesday, October 19, 2011
Lovely Lewisburg
This week I was able to make a soft announcement of the addition of a new quilt square. The Packwood Museum in Lewisburg, Pennsylvania, in conjunction with their 2012 upcoming quilt display, is the newest link in the PA Quilt (and Rug) Trails.
Active well-kept downtown districts are rapidly becoming a thing of the past, yet not so for Lewisburg, Pennsylvania. Located on the west branch of the Susquehanna River, Lewisburg has charming architecture, an active 19th century, historic, downtown shopping center, museums, restaurants and taverns.
In the next coming weeks, information about the Packwood Museum quilt square will be available here on this blog as well as on PA Quilt (and Rug) Trails' official website at www.paquilttrails.org.
Photo by Sharon Lee
Active well-kept downtown districts are rapidly becoming a thing of the past, yet not so for Lewisburg, Pennsylvania. Located on the west branch of the Susquehanna River, Lewisburg has charming architecture, an active 19th century, historic, downtown shopping center, museums, restaurants and taverns.
In the next coming weeks, information about the Packwood Museum quilt square will be available here on this blog as well as on PA Quilt (and Rug) Trails' official website at www.paquilttrails.org.
If you or your family or group would like to sponsor a quilt square contact
PA Quilt (and Rug) Trails
23 North Main Street
Lewisburg, PA 17044
717-248-4901 ext 326
administrator@paquilttrails.org
Tuesday, October 11, 2011
Choosing a pattern
Recently the executive director of Community Partnerships RC&D, the driving force behind the PA Quilt (and Rug) Trails, decided it was high time for its own quilt square to be istalled at the Taylor House, home of Community Partnerships RC&D and the headquarters of the PA Quilt (and Rug) Trails. It was decided that the quilt square needs to combine all the elements of what Community Partnerships does including conservation, organic transition, the Taylor House and its history, folk arts and community.
I decided to first research Amish "Big Valley" quilts from the neighboring communities. There are several factions of Amish and Menonite communities that have resided in the Big Valley, just over the mountain ridge, from Lewistown for the past 100 years.
One pattern, the "nine-patch" is used within all sects. It is one of the most basic patterns yet quite lovely in its simplicity. Traditionally the colors would be determined by scraps of used clothes and left over fabric. In this piece the colors will represent the colors of the fields and mountains of Pennsylvania.
I decided to first research Amish "Big Valley" quilts from the neighboring communities. There are several factions of Amish and Menonite communities that have resided in the Big Valley, just over the mountain ridge, from Lewistown for the past 100 years.
One pattern, the "nine-patch" is used within all sects. It is one of the most basic patterns yet quite lovely in its simplicity. Traditionally the colors would be determined by scraps of used clothes and left over fabric. In this piece the colors will represent the colors of the fields and mountains of Pennsylvania.
Hopefully in the next few weeks there will be a mock up made that can be photographed and shared within this blog. Community Partnerships RC&D is looking for painters to paint this piece.
If you or your group are interested please contact PA Quilt (and Rug) Trails at:
23 North Main Stret
Lewistown, PA7044
717-248-49011 ext 326
administrator@paquilttrails.org
Monday, October 3, 2011
In
central Pennsylvania, October 1st (depending on elevation) is roughly
the last day of frost free weather. Now begins the season of warm
afternoons, crisp, cool evenings, the smell of wood burning,
mouthwatering, tart apples and the most wonderful array of colors
imaginably.
Cornflower
blue skies against the display of foliage, changing colors, is truly a
sight to behold. In the central Pennsylvania woods, fall asters and
flowering grasses abound. Central Pennsylvania's Farmers Markets and
road side stands' bounty includes: huge orange pumpkins, crisp,
ambrosial, red and green apples, plump, juicy, purple and green grapes,
an abundance of tomatoes (both red and green once the frost hits) and
yellow, orange, green and blue squashes.
My daughter loves the fall for the opportunity to unearth her sweaters. Quite the fashionista,
her wardrobe is at its best in the sweater months. For the less fashion
conscious, there is nothing like dressing with a softly worn cashmere
sweater during the months of fall.
Following
the PA Quilt (and Rug) Trails during the central Pennsylvania this time
of year is the experience you will always equate with fall. Come for
the day, explore your own backyard, spend a night or two in one of
central Pennsylvania's charming inns or B&Bs. Visit the Magdalean Briner trail rug at the Tuscarora Forest. Stop at the Hunters Valley Winery
and see where the grapes are grown and bottled. Have your photograph
taken with the first PA Quilt (and Rug) Trail quilt square while sipping
on a glass of Niagara wine.
PA
Quit (and Rug) Trails is surpassing expectations and growing. Now would
be a great time to financially support this endeavour. Earmark holiday
gifts. Donate any amount, all is equally appreciated. Click on the Paypal button on the top right and you can easily make a donation right away even if you do not have a Paypal account. Support The PA Quilt (and Rug) Trails and be part of something great now and in the future.
For more information about the PA Quilt (and Rug) Trails
go to
go to
PA Quilt (and Rug ) Trails is a project of Community Partnerships RC&D
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